It always puts a smile on my face whenever QUALITY MUSIC comes our way & this one, did just that with the Super-FreshIntergalactic Boogie sounds running right through this 6 track EP from Pittsburgh-based trio Rotating Souls. The EP came through as an email just this morning so I don’t know much about them, but by listening through I would say they are deeply influenced by Giorgio Moroder, as you can hear that classic funky 80’s Synth-Bassvibes running right through the release.
Really digging this and can’t wait to hear more of Rotating Souls.. & props to them for still putting good music like this on on Vinyl too.
The EP is out on Vinyl! & Digital, click for more info:
HYS & Our House present an inner city loft/warehouse party: ‘RESPECT’…
You are invite you to our throwdown for fun, freedom & joy in a unique loft space till early morning.
Inspired by the pioneers; Larry Levan, Frankie Knuckles, Kerri Chandler & Danny Krivit… Expect the DJ’s to pay respect to their musical spirit & pay tribute to the last 30 years of house music & all its beautiful roots.
1. The Originals- Down To Love Town (Dims special re edit) Todd Terry-Acapella
2. Roy Ayers- Running
3. The Strikers- Body Music
4. Sam-Jam – Dance N Chant (Todd Terje re edit)
5. Stephanie Mills- Put Your Body In It
6. Geraldine Hunt- Cant Fake The Feeling
7. First Choice – Let No Man Put Asunder
8. Loleatta Holloway – Love Sensation
9. Sylvester – I Need You (Dim’s secret re edit)
10. MAW- Expensive (acapella)
11. Blaze- My Beat (S.U.M.O. Rebounce)
12. Kerri Chandler- Coro (‘Kaoz 6:23’ Dark Mix)
13. Neil Armstrong Moon Landing
14. Harry Choo Choo Romero- Mongobonix (From Beneath The Earth’s Crust)
15. Marc Evans – Reach Out For Love
16. Stevie Wonder- Another Star (Knee Deep Remix)
17. Rhythm Republic ft Peyton- Never Give Up
18. Matt Caseli & Aston Martinez- Gonzalo’s Guestlist
1. The Originals- Down To Love Town (Dims special re edit) Todd Terry-Acapella
2. Roy Ayers– Running
3. The Strikers- Body Music
4. Sam-Jam – Dance N Chant (Todd Terje re edit)
5. Stephanie Mills– Put Your Body In It
6. Geraldine Hunt– Cant Fake The Feeling
7. First Choice – Let No Man Put Asunder
8. Loleatta Holloway – Love Sensation
9. Sylvester – I Need You (Dim’s secret re edit)
10. MAW- Expensive (acapella)
11. Blaze- My Beat (S.U.M.O. Rebounce)
12. Kerri Chandler– Coro (‘Kaoz 6:23’ Dark Mix)
13. Neil Armstrong Moon Landing
14. Harry Choo Choo Romero- Mongobonix (From Beneath The Earth’s Crust)
15. Marc Evans – Reach Out For Love
16. Stevie Wonder- Another Star (Knee Deep Remix)
17. Rhythm Republic ft Peyton- Never Give Up
18. Matt Caseli & Aston Martinez- Gonzalo’s Guestlist
This is a mix we put together right after witnessing the magic of ‘Stevie Wonder’ live @ Acer Arena, Sydney, October 22 2008, its a mix with some of the Funk, Foul & Disco gems of he has put out over the year. It should be perfect for an Australia Day BBQ in the sun,
ARE you with me? Are we together?” cried Stevie Wonder at the top of a reggae-tinged Master Blaster, asking perhaps the most superfluous question in the history of questions. If love was in need of love in 1976 – as the man born Stevland Hardaway Judkins put it on his classic album Songs In The Key Of Life – there was certainly no shortage of it last night.
Wonder gave love, dedicating the whole show to the Four Tops singer Levi Stubbs, who died this week, before a jubilant rendition of the soul band’s classic I Can’t Help Myself. (It ended with Wonder crying visible tears.)
And boy, did he receive love. Before his daughter, Aisha Morris, had even led him all the way to his piano and banks of keyboards, the sold-out arena screamed with adulation.
Wonder at first just ambled towards the centre of the stage, beat-boxing to himself. Then he pulled out a harmonica, jammed along with his band to a Miles Davis jazz classic and pretty much earned every last scream.
His band was deliciously tight – a crack 14-piece unit including multiple horns, guitars and percussionists – and their leader almost shone with the star power and charisma you expected. You can still see that he really feels the music, loves hearing it and can’t get enough of playing it.
Sure, but it’s hard to think he could put a foot wrong. Really, he could have just stood at the stage for two hours humming to himself and this would have been a triumph. As it was, he played some mighty fine soul and funk as well as the occasional flourish of jazz and reggae groove.
By the end of the show we’d seen it all. A suspiciously good singer, “plucked out of the audience”, duetting with his idol; a barrage of hits, good and not so good (but still irresistible), often jazzed up. And the presentation of a lifetime achievement award for sales in excess of 1 million in Australia before a roof-raising Superstition.
This is a mix we put together right after witnessing the magic of ‘Stevie Wonder’ live @ Acer Arena, Sydney, October 22 2008, its a mix with some of the Funk, Foul & Disco gems of he has put out over the year. It should be perfect for an Australia Day BBQ in the sun,
“ARE you with me? Are we together?” cried Stevie Wonder at the top of a reggae-tinged Master Blaster, asking perhaps the most superfluous question in the history of questions. If love was in need of love in 1976 – as the man born Stevland Hardaway Judkins put it on his classic album Songs In The Key Of Life – there was certainly no shortage of it last night.
Wonder gave love, dedicating the whole show to the Four Tops singer Levi Stubbs, who died this week, before a jubilant rendition of the soul band’s classic I Can’t Help Myself. (It ended with Wonder crying visible tears.)
And boy, did he receive love. Before his daughter, Aisha Morris, had even led him all the way to his piano and banks of keyboards, the sold-out arena screamed with adulation.
Wonder at first just ambled towards the centre of the stage, beat-boxing to himself. Then he pulled out a harmonica, jammed along with his band to a Miles Davis jazz classic and pretty much earned every last scream.
His band was deliciously tight – a crack 14-piece unit including multiple horns, guitars and percussionists – and their leader almost shone with the star power and charisma you expected. You can still see that he really feels the music, loves hearing it and can’t get enough of playing it.
Sure, but it’s hard to think he could put a foot wrong. Really, he could have just stood at the stage for two hours humming to himself and this would have been a triumph. As it was, he played some mighty fine soul and funk as well as the occasional flourish of jazz and reggae groove.
By the end of the show we’d seen it all. A suspiciously good singer, “plucked out of the audience”, duetting with his idol; a barrage of hits, good and not so good (but still irresistible), often jazzed up. And the presentation of a lifetime achievement award for sales in excess of 1 million in Australia before a roof-raising Superstition.
