PUSHING BOUNDARIES: ELECTRIC WIRE HUSTLE (gig review at Tone Bar, Sydney)


So this review has taken a while to write due to personal issues I had to ride out… Alas…

That’s all we wanted. ONE. MORE. SONG. Just one more….

When one talks about ‘pushing boundaries’, this entails a level of thinking that differs from the average person, an execution of this thought pattern that challenges the existing modes of thinking, unlocking a part of one’s mind to the possibility that there is more to experience, more to learn, more to express and more to feel. Tone Bar experienced this level of exertion when Electric Wire Hustle stepped foot on stage for their debut album launch performance in Australia. It has been a while since I’ve wanted a live act to play one more song. It wasn’t just a plea of my own, but a collective  of EWH fans bellowing from sporadic parts of the dance floor, encouraging New Zealand’s next level artists to play just one more song. It didn’t happen, but what did happen that night showed Sydney fans that EWH have what it takes to take the music industry up another notch. Their unique form of sonic self expression is something unlike I’ve heard in the last 10 years, so to see them before my own eyes with adoring fans was indeed one of the highlights of 2010.

Wearing a brown leather jacket and a black hoodie underneath, lead singer MARA TK took to the stage armed with his unique soulful vocals, his electric and bass guitar,with a chilled attitude that the rest of the band seemed to naturally ooze. An attitude that set the right ‘tone’ for the rest of the night. They were just three unassuming musicians playing because they love it. Keyboardist David “TaayNinh” Wright played every note with a head nod that was contagious. Their set list comprised of most tracks from their album and a surprise performance cover of Curtis Mayfield’s ‘Move on Up’ with New Zealand’s Isaac Aesili on the trumpet, Rachel Fraser singing backing vocals, and Sydney sider Simon Kaye on the flugal horn. That in itself was a supreme highlight of the night, with each musician showcasing their skills on each instrument.

As much as I dislike focusing on one individual, particularly when the quality of performance on a whole was of high quality standards, special mention has to go to EWH’s drummer, classically jazzed trained Myele Manzanza. I’m not a drummer so excuse the lack of cohesive terminology, but Myele played off beat, on beat, triplets, grabs, with a solo moment showcasing his high skills – he teased the crowd. Myele played as you would expect a free jazz improv drummer to, with just the right quietness to allow the others members to shine. If it’s not the melody that captures my attention, it has to be the beat and Myele’s drumming moved me to do my infamous air drumming through-out the entire night.

Once again, thank you to Niche Productions for pushing the envelope, knowing what real music is and sharing it with us all. Log on to their website for new sohws in the new year! Next year will be a huge one for live music! HUGE!

If you get the chance to see Electric Wire Hustle live at some point in your life, do it! Many blogs on line have praised this New Zealand band including Okay Player having given this album 91 out of 100. I can’t stress enough how much this band will explode on to the international music scene. It’s better than Kanye West’s recent album. There. I said it.

Happy Christmas and don’t drink AND drive!

 

 

One thought on “PUSHING BOUNDARIES: ELECTRIC WIRE HUSTLE (gig review at Tone Bar, Sydney)

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