Everything ██is█████ ████ ████fine ███ █ ████ love. ████ █████ the ███ Egypt ███ ████ government ██
Ok we never get too political on here, but I was actually just reading the tweets on #Egypt and have a guess what tune popped up on shuffle…
The Egyptian Lover – Egypt Egypt
Classic 808 Electro banger if there has ever been one..
If your keen on the 80’s Electro & Classic RAP vibes like this then stay close to our good mates @ COLD CRUSH for mixtapes, write ups and club nights pushing the old school sounds in Sydney.
A 75min trip through Cosmic Disco, Boogie and even some classic Chicago House vibes. Presented with luv by Sydney based Re-mixer, DJ, Label Owner and Blogger, Sloppy Seconds.
Time: 75 Mins
Size:110MB
Tracks
01. Bumblebee Unlimited “I Got a Big Bee” 02. Loleatta Holloway “Hit & Run” 03. Skyy “First Time Around” Kenny Dope Main Mix 04. Skyy “First Time Around” Kenny Dope Drums 05. Marlena Shaw “Woman of the Ghetto” 4AM Rework 06. Koto “Chinese Wargames” 07. Toby Tobias “Crocodile Tears” 08. We’re Lofty Volt “Alter Flaw” 09. The Orb “Perpetual Dawn” (Pal Joey Cumulo Nimbus Mix) 10. Kraftwerk “Musique Non Stop” 11. NYC Peech Boys “On A Journey” 12″ Vocal Mix 12. Mantronix “Listen to the Bass” 13. Edwin Birdsong “Son of a Rapper Dapper Snapper” 14. Julia & Company “Breakin’ Down” 15. Whodini “Escape” Instrumental 16. Stevie Nicks “Stand Back” 17. Space Ranger “Phase Fever” 18. Dolle Jolle “Balearic Incarnation” (Todd Terje’s Extra Mix) 19. Larry Heard “Dance of Planet X”
About Sloppy Seconds
Sloppy Seconds is;
A re-edit label(Sloppy Seconds – get it?). You can find me digitally on Juno for now. I do have plans to press up vinyl sometime in the near future. The material that I plan on using for the vinyl releases will be titles exclusive to the wax catalogue (I have a secret stash saved specifically for this purpose). I’ll let you all know when that happens.
A music resource website. I’ve been collecting vinyl since the early/mid 80’s and have amassed quite an amount of relatively obscure stuff and started the blog as a way to promote lesser known artists and their releases. Because of the controversy surrounding mp3s I had originally intended to only post titles that are out of print, but I also realized that there are tons of new releases that are equally as amazing that weren’t being promoted very well. The music selection there varies greatly and includes just about anything that moves me and/or makes me laugh. Here’s the addy. Make yourselves at home. Beer is in the fridge.
(For the record, I have received numerous emails stating that purchases of posted material were made due to promotion of said titles from the blog.)
And a DJ. I’ve been DJing for quite some time now. Most of you have never heard of me, which might have something to do with the severe lack of self promotion over the years – I never liked that part of the job, but I’ve come to the conclusion that the self promotion game needed to be stepped up if I wanted to continue to do this.
I’m a recent Sydney transplant. Born and raised in Hawaii I have spent most of my adult life in San Francisco (I’ve also lived in San Diego and Chicago). I can be a bit reserved at first, so I thought no better way to introduce myself and tell you about my background than through my record collection. I have been religiously collecting those round discs of plastic since the early/mid 80’s, so we have a lot to cover.
If Grandmaster Flash on the Wheels of Steel was what opened my eyes to the world of DJing, then Grandmixer D.ST.‘s “Megamix II: So Why Is It Fresh?” is what caused me to purchase my first pair of turntables. “Megamix II” was a collage of snippets and excerpts of records taken predominately from the genre shattering Celluloid label with some brief flashes of Herbie Hancock’s “Rockit” thrown in (D.ST.’s first megamix was a similar working of songs mostly taken from Herbie Hancock’s “Future Shock” album as a promotional tool by Columbia to promote Herbie’s album. Here’s another tidbit of useless information – “Rockit” was the first fusion of hip hop and jazz on wax.).
The liner notes on the back of the record listed the equipment used for “Megamix II”, and I remember it being not much more than two turntables, a mixer, some sort of recording device, a couple of keyboards and a drum machine – a perfect example of it’s not what you have, but it’s what you do with what you have.
Next Cold Crush Gig:
If 
