Jay Electronica Podcast: Worldwide With Gillies Peterson


Jay Electronica! Definitely a talent. He always has plenty to say in the lab, on the mic & in this podcast session with Gilles Peterson for Wordwide in England.

I been following his work for a while but have a new found respect after listening to his discussions with Gilles on everything from the current state of Hip Hop,sampling, Erykah Badu‘s jokes, the Detroit ‘music scene’, Dilla to Fyodor Dostoyevsky.

Download + Sign up to Gilles P’s Pod casts here

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Bill Withers : Lean On Me A Tribute to the those affected New Zealand Earthquake (DONATE NOW)


Our thoughts & prayers are going out to those affected by the latest earthquake in Christchurch New Zealand..

Show your love and Donate now–>

  1. http://www.redcross.org.nz

  2. http://www.salvationarmy.org.nz

Ohio Players-Honey (1975) : Vinyl Artwork Vs T Shirt Artwork


If there is any wax artwork that just has to be on a shirt.. Its this..

OHIO Players- Honey (1975)

Honey is the third Mercury album by The Ohio Players, released in 1975. Like previous albums, Honey is known for its very sexy cover photo. In this case, the model was Playboy magazine’s October 1974 Playmate of the Month, Ester Cordet.

The album was recorded and remixed at Paragon Recording Studios in Chicago, with Barry Mraz as their recording engineer. Marty Link, Steve Kusiciel, Rob Kingsland, and Paul Johnson are credited as tape operators. Gilbert Kong mastered the final mix at Masterdisk in New York City.

It is the fourth of five Ohio Players albums that were also available in quadraphonic (4-channel stereo), released in the 8-track tape format. The quad mix was available on 8-track tape in the U.S., and on vinyl in Japan. It was released digitally as a DTS Audio CD by DTS Entertainment in 2001.

An urban legend surrounded the song “Love Rollercoaster” that the girl on the album cover was stabbed in the studio when she threatened to sue in connection with the cover shooting, and her screams are heard on the song. Like the controversy surrounding Paul McCartney’s supposed death, this was a hoax; the scream was actually that of keyboardist Billy Beck. The woman on the album cover is actually Panamanian-born model Ester Cordet, Playboy magazine’s Playmate of the Month for the October 1974 issue.

Soul Of Sydney#5 'A Lesson In Love': Valentines Day Soul, Funk; Hip Hop Mix By DJ Mo'Funk


Our podcast this week is a special one presented by Sydneys own DJ Mo’Funk (Facebook, Soundcloud, Twitter), featuring 50+ Soul, Funk & Hip Hop loved up jams put together just for valentines day for all you lovers around town.

Mo decided to put together a unique & rare dj mix, something he has never done but has always fancied putting together one day, this week seems very fitting to make something like this happen!

Plenty of soul legends represented here, expect everything from D’angelo,Teddy Pendergrass,Erykah Badu,The Isley Brothers,Michael Jackson,Sade,Bobby Caldwel just to name a few.

Enjoy!

e

Download: Here

Tracks

01 – Common / Teddy Pendergrass – “Intro” (instrumental) / “Love TKO
02 – Jamiroquai “Talulah”
03 – The Shelltoes “Don’t Explain”
04 – Joe “And Then…”
05 – Naked Music NYC “3 A.M.”
06 – Erykah Badu “On & On” Continue reading

Soul Of Sydney#5 ‘A Lesson In Love’: Valentines Day Soul, Funk; Hip Hop Mix By DJ Mo’Funk


Our podcast this week is a special one presented by Sydneys own DJ Mo’Funk (Facebook, Soundcloud, Twitter), featuring 50+ Soul, Funk & Hip Hop loved up jams put together just for valentines day for all you lovers around town.

Mo decided to put together a unique & rare dj mix, something he has never done but has always fancied putting together one day, this week seems very fitting to make something like this happen!

Plenty of soul legends represented here, expect everything from D’angelo,Teddy Pendergrass,Erykah Badu,The Isley Brothers,Michael Jackson,Sade,Bobby Caldwel just to name a few.

Enjoy!

e

Download: Here

Tracks

01 – Common / Teddy Pendergrass – “Intro” (instrumental) / “Love TKO
02 – Jamiroquai “Talulah”
03 – The Shelltoes “Don’t Explain”
04 – Joe “And Then…”
05 – Naked Music NYC “3 A.M.”
06 – Erykah Badu “On & On” Continue reading

Good Vibrations Festival Review By Ray Mann (Erykah Badu, Aloe Blac,Nas, Damien Marley,Fat Freddys Drop)


Good Vibrations 2011, Sydney
Review by Ray Mann

Is it possible for an artist to convey their art in a festival setting, or do munters just wanna have fun?

I was asked by Soul of Sydney to review Good Vibrations 2011 “as an artist”. I took that to mean: “Don’t pretend to be a music journalist, just write as someone who makes music.” I know, for myself at least, that festival gigs are very different to pub or club gigs, in many ways. Subtlety can go right out the window, messages tend to be dumbed-down, and holding the crowd can be like riding the tide. For me, Good Vibrations 2011 was a mixed bag of wave-riders and wave-makers – and a non-stop rainy day that turned my fingers to prunes…

I arrived just in time to catch Aloe Blaac, who has honey for a voice, a dress sense I approve of, and a slinky backing band. Every second song was a soul classic, given the lite-and-easy treatment, including ‘Love And Happiness’ (minus the swagger) and a slow-jam version of ‘Billie Jean‘. I’m not sure what Aloe Blaac’s ‘Soul 101’ show does with or for the genre, and it didn’t engage me here any more than it did at Sydney Festival a few weeks earlier, but it seemed to go down a treat with this festival crowd.

At the other end of the spectrum was the one and only Erykah Badu, the single reason I (and, apparently, a lot of other people) was even at the festival. From the moment she stepped onto the stage (after 15 years and 20 minutes), everyone single excited one of us in the audience knew we were in the presence of not merely a singer, but an artist. Even with her own extensive catalogue, Ms Badu delves into her musical influences like veering off on tangents in a conversation. Ms Badu, who was an MC long before she came to prominence as a neo-soul singer, references old-school hip-hop in the middle of edgy renditions of her own tracks, both older (‘On & On’, ‘Danger’) and newer (‘Window Seat’). What’s most fascinating about Erykah Badu’s performance is the organic way she pulls those hip hop samples into the mix of her own output, driving the show less like a singer and more like a DJ. If you can’t see Erykah’s hands, you’re missing the show: remixing her own songs on the fly, directing her tight-as band to stop on a dime, jumping back and forth between different sections of different songs seemingly on a whim, even playing drums on her MPC – everything on that stage, from her amazing voice to her storytelling to her body, is a tool she picks up and uses sparingly, as the moment dictates. The effect of all of this is that you cannot take your eyes off her: this is a true artist, a woman celebrating her femaledom as much as her love of hip hop (and what a sight it was, watching her drop the entire Ice Cube verse from NWA’s ‘Gangsta Gangsta’, repeating the line “life ain’t nuthin’ but bitches and money” with who-knows-how-much irony, if any). It’s that same spontaneity that saw her suddenly launch into a diatribe about ‘Occupation’ toward the end of an already-running-late set – but dammit, folks been waiting a long time for her to come out here only to play the one show, and she was clearly making the most of it.

I’m no stranger to the jam-heavy live show (to say the least), but Fat Freddy’s Drop took a while to get warmed up, even for me. There were some overly long stretches of little more than a sequenced beat and that tasty horn section just kinda hanging out, but with little real movement. Singer Joe Dukie’s sublime voice graced the set right off the bat with ‘Flashback’, but his butter was spread too thinly across that raggamuffin (see what I did there? Yeow – that’s why I’m no music writer…!).

By contrast, musically an ocean apart while physically only a stage apart, the segues in the Bag Raiders set reached their destination almost before they’d begun. These are a couple of music geeks who can really play and can’t really sing, and are having fun with both of those attributes – and without a laptop in sight. In between singles ‘Shooting Stars’ and ‘Sunlight’ were some moments that were downright ultra-lounge-karaoke. Their live set felt like a peek into their bedroom jam session: two mates who could be making any type of music they chose, they just happened to choose sweet dance pop.

Nas and Damian Marley made being epic look effortless. Backed by a full band, including a guy whose only job was to wave a giant Lion Of Judah flag throughout the set, Nas and Damian Marley put on a powerful show with a message that permeated every song without ever becoming preachy. Apart from some “When I say ‘Hip’, you say…” action from Nas early in the set, there were no cliches here, everything familiar but nothing obvious, and they owned the crowd from the (late) start to the (even later) finish. Tracks from their ‘Distant Relatives’ collaboration were interspersed with each of the artists dropping hits from his individual catalogue. The crowd blew up when hit with modern classics ‘Hip Hop is Dead‘ and ‘Welcome To Jamrock’; and there was no less fervour for newer tracks like ‘As We Enter’, one of the many examples of the fresh reggae/hip hop crossover these guys have been lauded for creating. If I weren’t an Erykah fan, I’d say Nas and Damian Marley’s set was the best thing that happened on this day – I was so moved, inside and out, that I completely forgot to check out Kelis. And as if they hadn’t rocked my world enough, they closed their set with Damien Senior’s “Could You Be Loved”, only one of the most glorious songs of all time.

Oh that Ludacris, such a character… I was curious to see how his larger-than-life persona would translate to his stage show. His set was an abridged Ludacristory, comprising a verse and a chorus of every single song he ever released. Good for fans and short attention spans – which, by this late stage of the day, was probably as much as many folks could handle.

Phoenix, that charming Frenchy fivesome (I’d thought there were only four?), offered up a yum-cha selection of tracks from across all their albums, against a dynamic black-and-white backlit setpiece that showed off just how much of an animal their drummer is. You may be wondering, “Why is this guy reviewing a synth-rock band in a soul/hip hop blog?” The two brothers from Phoenix are actually soul music connoisseurs; you can hear it across their albums. Ironically, I missed ‘Too Young’ coz I’m too old, and therefore too tired to stay at Good Vibes any longer, and not long after ‘It’s Never Been Like That’ I finally called it a day.

Many thanks to  Soul of Sydney for this opportunity – and for my first-ever Good Vibes experience.

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Ray Mann bids a fond “Farewell Australia” with one huge night, featuring The Ray Mann Three performing live, with some very special guests, followed by an all-night party – all under the one roof: Melt Bar, in Sydney’s Kings Cross. After national tours with Al Green, Tori Amos, and a successful debut tour of Japan, Ray Mann is taking the plunge and to pursue his musical career in other parts of the world. Come celebrate Ray Mann’s big move with a night not to be missed!

Ray Mann is set to relocate to Berlin ~ catch his final show before he leaves…
What: The Ray Mann Three: Farewell Australia Show
When: Friday 11 March, 2011, 9pm-5am
Where: Melt, 12 Kellet St Kings Cross, Sydney
Tickets: http://www.moshtix.com.au/event.aspx?id=44915
Not in Sydney? Watch the show streaming live on ray-mann.com (via Neonhearts.com.au)
Full details: http://ray-mann.com/?p=1762

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Good Vibrations Festival Mix Feat. Nas, Damien Marley, Erylah Badu, Faithless, Kelis, Ludacris, Aloe Blacc,The Roots, Fat Freddys Drop,Koolism,Ol' Dirty Bastard,Jazzanova


Just a festival warm up/warm down mixtape featuring some of our favorite artists performing @ Good Vibrations 2011.

Style: dub, roots, reggae,funk, Soul, hip hop & Beats

Run Time: 80mins

Download

Tracklist:

  1. ERYKAH BADU & STEPHEN MARLEY – IM IN LOVE WITH  YOU
  2. DAMIEN MARLEY – WELCOME TO JAM ROCK
  3. ALOE BLOCC – MISFORTUNE
  4. ERYKAH BADU – HONEY (DUB REMIX)
  5. NAS – THUGS MANSION
  6. ERYKAH BADU – APPLE TREE
  7. NAS – IF I RULE THE WORLD
  8. DAMIEN MARLEY & BLACK THOUGHT (THE ROOTS) – PARADISE
  9. ALOE BLACC – I NEED A DOLLAR
  10. NAS – SURVIVING THE TIMES
  11. NAS – GET DOWN
  12. ALOE BLACK – HEY THERE BROTHER
  13. FAITHLESS – SOUND CHECK JAM
  14. NAS – MADE YOU LOOK
  15. FAITHLESS – ALI
  16. NAS AND KELIS – HEY NAS
  17. FAT FREDDYS DROP – ROADY (NEXTMEN REMIX)
  18. FAITHLESS – BASEBALL CAP
  19. OLD DIRTY BASTARD + KELIS – I GOT YOUR MONEY
  20. LUDACRIS – AREA CODE
  21. KELIS – TRICK ME
  22. KELIS – 80’S JOINT
  23. FAT FREDDYS DROP – FLASH BACK (JAZZANOVA MIX)
  24. FAT FREDDYS DROP – WANDERING EYE
Style: dub, roots, reggae,funk, Soul, hip hop & Beats

Run Time: 80mins

Download

Festival Set Times, Tix & Info Here

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