Proudly Pushin' 'THE FUNK' in all its forms| Funk Soul Disco Hip Hop House Afro-Beat Afro Funk Latin Jazz Deep Soulful House | MIXTAPES | WAREHOUSE PARTIES | BLOCK PARTIES | BBOY / BBGIRL JAMS & Scene Info
I love the idea behind this, a fan run online podcast session as a warm up for the up coming Prince tour, These cats know their music that’s for sure.. check out a few of the episodes below and all of them online with downloadable links etc.
Prince & The NPG are coming to Australia in May 2012! Press play to listen to this 20 minute preview show and keep your ears wide open to hear some Purple News!
The Peach & Black Podcast has reached a milestone – Our 50th episode!… And what better way to celebrate this occasion than by reviewing the landmark album Sign ‘O’ The Times on its very own 25th Birthday! Here’s Part 1 of our review, covering all of Disc 1. Join MC, Playa, Captain and Toejam in this extensive track-by-track review… before the police come… a podcast this funky is on the run!
Hot off the press our man local musician,producer & DJKatalyst put together this dope podcast.
This mixtape together as a prelude to my upcoming album – DEEP IMPRESSIONS out in September.Apart from a few sneaky edits (to highlight the moments used by some of the best producers to have turned on a sampler) the tunes are as they appear on the original wax. This series is dedicated to one of my musical inspirations and heroes The Left Rev Eugene McDaniel’s who passed away 29th July 2011. If your reading this and don’t know who the great man was…… do yourself a favour and get familiar! This is Part 1…. more in the series to follow so stay tuned…
Jay Electronica! Definitely a talent. He always has plenty to say in the lab, on the mic & in this podcast session with Gilles Peterson for Wordwide in England.
I been following his work for a while but have a new found respect after listening to his discussions with Gilles on everything from the current state of Hip Hop,sampling, Erykah Badu‘s jokes, the Detroit ‘music scene’, Dilla to Fyodor Dostoyevsky.
Since stumbling across the ‘Respect Overdue’ compilation that Creative Vibes put out some years ago, I have been hot on the trail of rare and interesting funky music recorded in Australia, my own backyard. The following mix is a testament to my love of local flavors, and a bit of a poke at people who don’t think Aussies can be funky. This mix includes some of my favorites, some of my discoveries, and a couple of very, very rare numbers. I wanted to make it seamless, but time was a factor in putting this together. Still, for the most part I’ve managed to get tracks to blend into each other. Let me know what you thought! -
Dj Kinetic.
(dj_kinetic@hotmail.com)
Catch Kinetic playing at The Hive Bar in Erskinville Rd Sunday 6th Feb..
SOULFIRE is a little local shin dig that consists of locaal soul/funk record nerds showin off their stuff downstairs whilst there is some blaxploitation fillems bein played upstairs. Its at the notorious hive bar in erko where the food is good , beers are all local, and the staff are always nude(or thats how i remember its a 6 pm kickoff and its FREE!
After his sold-out Australian debut in May 2010, The Ambassador of Boogie Funk – DâM-FunK, returns to welcome the New Year with style, playing an intimate show at Tone on Thursday 6 January.
Niche Productions presents four huge characters of modern music on one stage, in one city for one night only: Flying Lotus, Hudson Mohawke, DâM-Funk and Gaslamp Killer, at the Forum, Friday 7 January 2011.
DâM-Funk side show happening on Thursday also.
Niche Productions is proud to present the Australian tour of the ambassador of Boogie-Funk, Dâm-Funk (Stones Throw – Los Angeles, California). Bursting on to the scene in 08-09, Dâm (pronounced ‘Dame’, as in Damon) won over a slew of fans from Disco-Boogie aficionados, the Beat scene, hardcore Hip Hop heads and Hipsters alike with his debut 12″ ‘Burgundy City/Galactic Fun.’
In 2009, he was one of Stones Throw busiest artists, putting out so much material you’d think he was giving Madlib a run for his money, with the ‘Toeachizown‘ album being released digitally in five instalments, all of which teased fans with different elements of his influences. During this time he also managed to put out a few mix CDs, a beat tape as part of Stones Throw’s ‘Rhythm Trax’ series and turned in remixes for Red, Baron Zen and superstars Animal Collective. At the tail end of 2009, the album was released in 2CD and deluxe 5LP box set editions.
His Monday night Funkmosphere club night is the stuff made of legends. From record-dealer types with obscene collections to a heavily bearded Joaquim Phoenix and beyond, it’s the spot that everyone is trying to get in to. But Dâm’s roots go well back to a time before ‘Disco’ was a cool word.
Cutting his teeth as a session keyboard player for artists of the G-Funk era like Mack 10, MC Eight and Westside Connection, you can easily hear his hip-hop roots in songs like ‘Hood Pass Intact’, and even though he dresses the part, don’t expect Dâm to get all thugged out on us out here on his debut tour. Dâm-Funk promotes love, spirituality, astrology and good vibes with his music and his open and outward personality – if you’ve ever heard him be interviewed or seen live clips online, you will know he is very generous with his time.
Calling his sound ‘Modern Funk’,Dâm-Funk’s live show takes in both his impeccable DJ mixing style as well as a Live-PA style side which includes vocals and keyboards, showcasing both the original material he writes and records, and the records which have inspired him.
Join us for the show everyone will be talking about for the rest of the year.
——————————————————————————–
Check out the Dam Funk Interview today on Soul Glow radio
DJ Huwston interviews Dam Funk his show Soul Glow on 2ser 107.3
This is the second installment of cumbiambero loco, a special ‘CUMBIA’ mixtape carefully selected just in time for that summer time in Sydney.
Spanish:
CUMBIA que delicia, que viva diciembre y feliz navidad
Our podcast this week is a little different to the standard ‘Funk’ we been featuring, it is an unexpected & enjoyable voyage into Caribbean & Afro-Latin beats.
This week we present a 40 min mix of traditional Colombian rebellion music called ‘Cumbia’.
The word ‘Cumbia’ came from the African word “Cumbé”, or party. It’s known as the queen of African rhythms & It has 3 cultural influences (African, Andean & Spanish).
The music originated around the 1820’s during Colombia’s struggle for independence as an expression of national resistance against Spain.
Both the African & Andean influences are obvious in ‘Cumbia’, the rhythms adopted from African slaves used by the Spanish & Andean flutes & poetry make up the core elements of the music .
Originally only performed with drums & claves it has since evolved to include; flutes, guitars, accordion, horns, brass & traditional drums & percussion.
Today it is very popular in Latin America & has even evolved into new forms mixed with Ska, Reggae, Hip Hop & Drum N Bass known as ‘Cumbia digital’ These elements & influences can be found in the music of ; Quanic, Ozomatli, DJ Spinna, Los Lobos & Los Kumbia Kings.
Even in Australia it will be featured at the 2010 Big Day Out Lilly Pad.
For a good introduction to ‘Cumbia’, check out: Cumbia Cumbia , Vol. 1 & 2 released by World Circuit Records (1983, 1989).
This is the second installment of cumbiambero loco, a special ‘CUMBIA’ mixtape carefully selected just in time for that summer time in Sydney.
Spanish:
CUMBIA que delicia, que viva diciembre y feliz navidad
Our podcast this week is a little different to the standard ‘Funk’ we been featuring, it is an unexpected & enjoyable voyage into Caribbean & Afro-Latin beats.
This week we present a 40 min mix of traditional Colombian rebellion music called ‘Cumbia’.
The word ‘Cumbia’ came from the African word “Cumbé”, or party. It’s known as the queen of African rhythms & It has 3 cultural influences (African, Andean & Spanish).
The music originated around the 1820’s during Colombia’s struggle for independence as an expression of national resistance against Spain.
Both the African & Andean influences are obvious in ‘Cumbia’, the rhythms adopted from African slaves used by the Spanish & Andean flutes & poetry make up the core elements of the music .
Originally only performed with drums & claves it has since evolved to include; flutes, guitars, accordion, horns, brass & traditional drums & percussion.
Today it is very popular in Latin America & has even evolved into new forms mixed with Ska, Reggae, Hip Hop & Drum N Bass known as ‘Cumbia digital’ These elements & influences can be found in the music of ; Quanic, Ozomatli, DJ Spinna, Los Lobos & Los Kumbia Kings.
Even in Australia it will be featured at the 2010 Big Day Out Lilly Pad.
For a good introduction to ‘Cumbia’, check out: Cumbia Cumbia , Vol. 1 & 2 released by World Circuit Records (1983, 1989).
Niche Productions is proud to present the debut Australian tour of the ambassador of Boogie-Funk, Dâm-Funk (Stones Throw – Los Angeles, California). Bursting on to the scene in 08-09, Dâm (pronounced ‘Dame’, as in Damon) won over a slew of fans from Disco-Boogie aficionados, the Beat scene, hardcore Hip Hop heads and Hipsters alike with his debut 12″ ‘Burgundy City/Galactic Fun.’
In 2009, he was one of Stones Throw busiest artists, putting out so much material you’d think he was giving Madlib a run for his money, with the ‘Toeachizown’ album being released digitally in five instalments, all of which teased fans with different elements of his influences. During this time he also managed to put out a few mix CDs, a beat tape as part of Stones Throw’s ‘Rhythm Trax’ series and turned in remixes for Red, Baron Zen and superstars Animal Collective. At the tail end of 2009, the album was released in 2CD and deluxe 5LP box set editions.
His Monday night Funkmosphere club night is the stuff made of legends. From record-dealer types with obscene collections to a heavily bearded Joaquim Phoenix and beyond, it’s the spot that everyone is trying to get in to. But Dâm’s roots go well back to a time before ‘Disco’ was a cool word.
Cutting his teeth as a session keyboard player for artists of the G-Funk era like Mack 10, MC Eight and Westside Connection, you can easily hear his hip-hop roots in songs like ‘Hood Pass Intact’, and even though he dresses the part, don’t expect Dâm to get all thugged out on us out here on his debut tour. Dâm-Funk promotes love, spirituality, astrology and good vibes with his music and his open and outward personality – if you’ve ever heard him be interviewed or seen live clips online, you will know he is very generous with his time.
Calling his sound ‘Modern Funk’,Dâm-Funk’s live show takes in both his impeccable DJ mixing style as well as a Live-PA style side which includes vocals and keyboards, showcasing both the original material he writes and records, and the records which have inspired him.
Join us for the show everyone will be talking about for the rest of the year.
——————————————————————————–
Check out the Dam Funk Interview today on Soul Glow radio
DJ Huwston interviews Dam Funk his show Soul Glow on 2ser 107.3
Fire On The Wire, the long-running reggae radio show originally broadcast from Paddington Town Hall and source of all our audio specials to date, is back on the air. Continue reading →
Our podcast this week is a little different to the standard ‘Funk’ we been featuring, it is an unexpected & enjoyable voyage into Caribbean & Afro-Latin beats.
This week we present a 45 min mix of traditional Colombian rebellion music called ‘Cumbia’.
Our podcast this week is a little different to the standard ‘Funk’ we been featuring, it is an unexpected & enjoyable voyage into Caribbean & Afro-Latin beats.
This week we present a 45 min mix of traditional Colombian rebellion music called ‘Cumbia’.
Track List 1. Reel 2 Reel – Love Me Like This
2. Michael Wycoff – Looking Up To You (The Revenge Rework)
3. BT Express – Keep It Up (BB Edit)
4. The Revenge – Night Flight
5. Q-Tip – Breathe & Stop (The Revenge RAE Version)
6. Kay Gees – Hustle With Every Muscle (The Revenge Edit)
7. KRL – Recession Beat
8. The Police – Voices In My Head (Cronk Family Enterprises Version)
9. Body 2 Body – Let’s Get Intimate (Harri Edit)
10. The Sunburst Band – Put A Lyric In It (The Revenge Demo Mix)
11. Touch – Without You (Timmy Regisford Remix)
12. Brother D & The Collective Effort – Educate Organise (Harri Edit)
13. Today – I Got The Feeling (The Revenge New Jack Stack)
14. Lionel Richie – Serves You Right (The Revenge Edit)
15. Reverso 68 – Take Me Back To Yours
16. Franz Ferdinand – Ulysses (Beyond The Wizard’s Sleeve Re-Animation)
17. Tata Vega – Love Your Neighbour (The Revenge Edit)
18. The Revenge – Your Hangover
19. Moodyman – On The Eastside Of Detroit
20. The Revenge – Unfinished Edits Are Out Of My Hands
21. DJ 2Three – Milk Jelly
22. Hidden Agenda – Big Lamp
23. Phlash & Friends – Runnin’ (Dub Edit)
24. The Doobie Brothers – Long Train Running (DJ tool) DOWNLOAD PLAY
Duration: 90mins Format: .mp3 Style: Funk, Disco & House
For more mixes & info check out ‘The Revenge’ @ Myspace
The Revenge plays Sat May 23rd with Motorcity Soul @ 53-55 Liverpool Street Sydney CBD
Track List 1. Reel 2 Reel – Love Me Like This
2. Michael Wycoff – Looking Up To You (The Revenge Rework)
3. BT Express – Keep It Up (BB Edit)
4. The Revenge – Night Flight
5. Q-Tip – Breathe & Stop (The Revenge RAE Version)
6. Kay Gees – Hustle With Every Muscle (The Revenge Edit)
7. KRL – Recession Beat
8. The Police – Voices In My Head (Cronk Family Enterprises Version)
9. Body 2 Body – Let’s Get Intimate (Harri Edit)
10. The Sunburst Band – Put A Lyric In It (The Revenge Demo Mix)
11. Touch – Without You (Timmy Regisford Remix)
12. Brother D & The Collective Effort – Educate Organise (Harri Edit)
13. Today – I Got The Feeling (The Revenge New Jack Stack)
14. Lionel Richie – Serves You Right (The Revenge Edit)
15. Reverso 68 – Take Me Back To Yours
16. Franz Ferdinand – Ulysses (Beyond The Wizard’s Sleeve Re-Animation)
17. Tata Vega – Love Your Neighbour (The Revenge Edit)
18. The Revenge – Your Hangover
19. Moodyman – On The Eastside Of Detroit
20. The Revenge – Unfinished Edits Are Out Of My Hands
21. DJ 2Three – Milk Jelly
22. Hidden Agenda – Big Lamp
23. Phlash & Friends – Runnin’ (Dub Edit)
24. The Doobie Brothers – Long Train Running (DJ tool) DOWNLOAD PLAY
Duration: 90mins Format: .mp3 Style: Funk, Disco & House
For more mixes & info check out ‘The Revenge’ @ Myspace
The Revenge plays Sat May 23rd with Motorcity Soul @ 53-55 Liverpool Street Sydney CBD
1. The Originals- Down To Love Town (Dims special re edit) Todd Terry-Acapella
2. Roy Ayers- Running
3. The Strikers- Body Music
4. Sam-Jam – Dance N Chant (Todd Terje re edit)
5. Stephanie Mills- Put Your Body In It
6. Geraldine Hunt- Cant Fake The Feeling
7. First Choice – Let No Man Put Asunder
8. Loleatta Holloway – Love Sensation
9. Sylvester – I Need You (Dim’s secret re edit)
10. MAW- Expensive (acapella)
11. Blaze- My Beat (S.U.M.O. Rebounce)
12. Kerri Chandler- Coro (‘Kaoz 6:23′ Dark Mix)
13. Neil Armstrong Moon Landing
14. Harry Choo Choo Romero- Mongobonix (From Beneath The Earth’s Crust)
15. Marc Evans – Reach Out For Love
16. Stevie Wonder- Another Star (Knee Deep Remix)
17. Rhythm Republic ft Peyton- Never Give Up
18. Matt Caseli & Aston Martinez- Gonzalo’s Guestlist
1. The Originals- Down To Love Town (Dims special re edit) Todd Terry-Acapella
2. Roy Ayers- Running
3. The Strikers- Body Music
4. Sam-Jam – Dance N Chant (Todd Terje re edit)
5. Stephanie Mills- Put Your Body In It
6. Geraldine Hunt- Cant Fake The Feeling
7. First Choice – Let No Man Put Asunder
8. Loleatta Holloway – Love Sensation
9. Sylvester – I Need You (Dim’s secret re edit)
10. MAW- Expensive (acapella)
11. Blaze- My Beat (S.U.M.O. Rebounce)
12. Kerri Chandler- Coro (‘Kaoz 6:23′ Dark Mix)
13. Neil Armstrong Moon Landing
14. Harry Choo Choo Romero- Mongobonix (From Beneath The Earth’s Crust)
15. Marc Evans – Reach Out For Love
16. Stevie Wonder- Another Star (Knee Deep Remix)
17. Rhythm Republic ft Peyton- Never Give Up
18. Matt Caseli & Aston Martinez- Gonzalo’s Guestlist
This is a mix we put together right after witnessing the magic of ‘Stevie Wonder’ live @ Acer Arena, Sydney, October 22 2008, its a mix with some of the Funk, Foul & Disco gems of he has put out over the year. It should be perfect for an Australia Day BBQ in the sun,
“ARE you with me? Are we together?” cried Stevie Wonder at the top of a reggae-tinged Master Blaster, asking perhaps the most superfluous question in the history of questions. If love was in need of love in 1976 – as the man born Stevland Hardaway Judkins put it on his classic album Songs In The Key Of Life – there was certainly no shortage of it last night.
Wonder gave love, dedicating the whole show to the Four Tops singer Levi Stubbs, who died this week, before a jubilant rendition of the soul band’s classic I Can’t Help Myself. (It ended with Wonder crying visible tears.)
And boy, did he receive love. Before his daughter, Aisha Morris, had even led him all the way to his piano and banks of keyboards, the sold-out arena screamed with adulation.
Wonder at first just ambled towards the centre of the stage, beat-boxing to himself. Then he pulled out a harmonica, jammed along with his band to a Miles Davis jazz classic and pretty much earned every last scream.
His band was deliciously tight – a crack 14-piece unit including multiple horns, guitars and percussionists – and their leader almost shone with the star power and charisma you expected. You can still see that he really feels the music, loves hearing it and can’t get enough of playing it.
Sure, but it’s hard to think he could put a foot wrong. Really, he could have just stood at the stage for two hours humming to himself and this would have been a triumph. As it was, he played some mighty fine soul and funk as well as the occasional flourish of jazz and reggae groove.
By the end of the show we’d seen it all. A suspiciously good singer, “plucked out of the audience”, duetting with his idol; a barrage of hits, good and not so good (but still irresistible), often jazzed up. And the presentation of a lifetime achievement award for sales in excess of 1 million in Australia before a roof-raising Superstition.
This is a mix we put together right after witnessing the magic of ‘Stevie Wonder’ live @ Acer Arena, Sydney, October 22 2008, its a mix with some of the Funk, Foul & Disco gems of he has put out over the year. It should be perfect for an Australia Day BBQ in the sun,
“ARE you with me? Are we together?” cried Stevie Wonder at the top of a reggae-tinged Master Blaster, asking perhaps the most superfluous question in the history of questions. If love was in need of love in 1976 – as the man born Stevland Hardaway Judkins put it on his classic album Songs In The Key Of Life – there was certainly no shortage of it last night.
Wonder gave love, dedicating the whole show to the Four Tops singer Levi Stubbs, who died this week, before a jubilant rendition of the soul band’s classic I Can’t Help Myself. (It ended with Wonder crying visible tears.)
And boy, did he receive love. Before his daughter, Aisha Morris, had even led him all the way to his piano and banks of keyboards, the sold-out arena screamed with adulation.
Wonder at first just ambled towards the centre of the stage, beat-boxing to himself. Then he pulled out a harmonica, jammed along with his band to a Miles Davis jazz classic and pretty much earned every last scream.
His band was deliciously tight – a crack 14-piece unit including multiple horns, guitars and percussionists – and their leader almost shone with the star power and charisma you expected. You can still see that he really feels the music, loves hearing it and can’t get enough of playing it.
Sure, but it’s hard to think he could put a foot wrong. Really, he could have just stood at the stage for two hours humming to himself and this would have been a triumph. As it was, he played some mighty fine soul and funk as well as the occasional flourish of jazz and reggae groove.
By the end of the show we’d seen it all. A suspiciously good singer, “plucked out of the audience”, duetting with his idol; a barrage of hits, good and not so good (but still irresistible), often jazzed up. And the presentation of a lifetime achievement award for sales in excess of 1 million in Australia before a roof-raising Superstition.