“LADI6 Liberates Sydney” – REVIEW GAELIC CLUB 16.4.2011


Niche Production presents Ladi6 and Electric Wire Hustle Tour

Churr Bro! This year kicked off with a massive highlight of international acts from major festivals proving that Australia is fast becoming a serious touring destination for prominent to underground musicians the world over. Niche Productions, yet again, held their high standard of touring acumen hosting an Electric Wire Hustle and Ladi6 national tour.

It was great to see Electric Wire Hustle return to Australia as support act for the incomparable Ladi6 at The Gaelic Club, Sydney. Electric Wire Hustle are a tight band with a lot going on musically, taking you on a journey through detailed musical adaptations of Hip Hop, Soul and Psychedelic sounds. Front man Mara TK plays and sings inside his own ambience with eyes closed a majority of the time on stage. It’s like he doesn’t need to look up to know we’re all having a great time. He basks in his own creation, poised, self contained and almost introverted. Their debut album on the other hand is bold, adventurous and translates well live on stage. Having seen them not too long ago for their first ever Australian performance at Tone, this second encounter was a treat playing a new song from their 2nd album which has yet to be released. A little birdy told me towards the end of the year. Let’s hope it’s sooner. I have a lot of love for this band and I know they’ll continue to push the boundaries.

Queen of the Night…


The first time I saw Ladi6 was three or four years ago as the back up singer for her cousin Scribe at The Enmore theatre who was support act for Talib Kweli at the time. Even as a backup singer, she had presence. If I could read into her future back then, I’d predict a woman who’s future as a purposeful musician was written in the stars long before she knew the power of her musical ability, cemented long before the birth of Karoline Tamati – her birth name. But she needed time to come into her own. Time is not much, but she grew into the confident artist she is now so time is everything or more to the point, timing is everything.

Wearing all black and a conspicuous shiny gold head piece draped over her head, Ladi6 commanded your attention and you couldn’t help but fall under this compelling spell made even more powerful with her alluring hand movements. Feet slightly apart with one foot in front of the other in a boxer’s stance, her hands told stories of their own. Her posture meant she was serious about providing an entertaining show, propelling all that she had of herself in her performance. Whether it was her emotive vocal delivery, or her smashing the crash cymbal repeatedly with full force (I thought she was going to break the stick and poke an eye out), or her jumping around on stage, Ladi6 ain’t your average performer. Her setlist comprised a majority of tracks from her new album – dare I say it, she played her entire album with the exclusion of a couple, and three tracks from her debut album ‘Time is Not Much‘ with a remix rock version of ‘Walk Right Up‘ as her encore performance.  Stand out tracks were ’BANG BANG‘, ‘Jazmine D.L’, ‘Goodday’, ‘Like Water’, ‘Burn With Me’, ‘KOLN’, ’98 til Now’ and ‘Call You Out’.

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Ladi6′s sophomore album “The Liberation of…” is a strong continuation of creative outpouring from New Zealand’s first lady of Hip Hop and Soul! She is confident in this album. She has come into a new phase and this album articulates her maturity and confidence as an artist. Having spent months in Berlin mid last year for the recording of her new album in between umpteen New Zealand and international tours dates in 2010, this year will see her performing countless more European shows. The most recent addition to her 2011 dates is ‘The BIG CHILL tour’ – a major 3 day festival based in London shared this year by the likes of Kanye West, Andreya Triana, Sharon Jones and the Dap Kings, Horace Andy, Janelle Monae, Aloe Blacc, Femi Kuti and the Positive Force, Neneh Cherry, Rodrigo y Gabriela, Robert Plant and the Band of Joy, Electric Wire Hustle and a host of others.

They say don’t believe the hype. BELIEVE this one. Her strong presence on stage is fluid, feminine, tough, confident, fun and timid at the same time. Her vocal delivery, witty lyrical content and overall musical production makes Ladi6 a force in the industry. I wish her all the best, cos she deserves it. It takes a different type of person with thick skin, focus and skill to stick it out in an industry that can kill the essence of one’s artistic integrity. I’d like to think hers is still safely intact.

It’s look like a promising future for both Electric Wire Hustle and Ladi6 as they continue to create a larger than life presence around the world. I’d love to be selfish and claim these two as our own, but really, New Zealand is grooming and holding down their own unique artists without the help of anyone else. It’s just in their blood. Definite highlight of the year so far.

Thanks to:
Sam Taouk of Soul of Sydney

Niche Productions

Ladi6

Electric Wire Hustle

Photos by:

tee eightch PHOTOGRAPHY

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"LADI6 Liberates Sydney" – REVIEW GAELIC CLUB 16.4.2011


Niche Production presents Ladi6 and Electric Wire Hustle Tour

Churr Bro! This year kicked off with a massive highlight of international acts from major festivals proving that Australia is fast becoming a serious touring destination for prominent to underground musicians the world over. Niche Productions, yet again, held their high standard of touring acumen hosting an Electric Wire Hustle and Ladi6 national tour.

It was great to see Electric Wire Hustle return to Australia as support act for the incomparable Ladi6 at The Gaelic Club, Sydney. Electric Wire Hustle are a tight band with a lot going on musically, taking you on a journey through detailed musical adaptations of Hip Hop, Soul and Psychedelic sounds. Front man Mara TK plays and sings in his own ambience, eyes closed a majority of the time on stage. It’s like he doesn’t need to look up to know we’re all having a great time. He basks in his own creation, poised, self contained and almost introverted. Their debut album on the other hand is bold, adventurous and translates well live on stage. Having seen them not too long ago for their first ever Australian performance at Tone, this second encounter was a treat playing a new song from their 2nd album which has yet to be released. A little birdy told me towards the end of the year. Let’s hope it’s sooner. I have a lot of love for this band and I know they’ll continue to push the boundaries.

Queen of the Night…


The first time I saw Ladi6 was three or four years ago as the back up singer for her cousin Scribe at The Enmore theatre who was support act for Talib Kweli at the time. Even as a backup singer, she had presence. If I could read into her future back then, I’d predict a woman who’s future as a purposeful musician was written in the stars, long before she knew the power of her musical ability, cemented long before the birth of Karoline Tamati – her birth name. But she needed time to come into her own. Time is not much, but she grew into the confident artist she is now, so time is everything or more to the point, timing is everything.

Wearing all black and a conspicuous shiny gold head piece draped over her head, Ladi6 commanded your attention and you couldn’t help but fall under this compelling spell made even more powerful with her alluring hand movements. Feet slightly apart with one foot in front of the other in a boxer’s stance, her hands told stories of their own. Her posture meant she was serious about providing an entertaining show, propelling all that she had of herself in her performance. Whether it was her emotive vocal delivery, or her smashing the crash cymbal repeatedly with full force (I thought she was going to break the stick and poke an eye out), or her jumping around on stage, Ladi6 ain’t your average performer. Her setlist comprised a majority of tracks from her new album – dare I say it, she played her entire album with the exclusion of a couple, three tracks from her debut album ‘Time is Not Much‘ with a remix rock version of ‘Walk Right Up‘ as her encore performance.  Stand out tracks were ’BANG BANG‘, ‘Jazmine D.L’, ‘Goodday’, ‘Like Water’, ‘Burn With Me’, ‘KOLN’, ’98 til Now’ and ‘Call You Out’.

This slideshow requires JavaScript.

Ladi6′s sophomore album “The Liberation of…” is a strong continuation of creative outpouring from New Zealand’s first lady of Hip Hop and Soul! She is confident in this album. She has come into a new phase and this album articulates her maturity and confidence as an artist. Having spent months in Berlin mid last year for the recording of her new album in between umpteen New Zealand and international tours dates in 2010, this year will see her performing countless more European shows. The most recent addition to her 2011 dates is ‘The BIG CHILL tour’ – a major 3 day festival based in London shared this year by the likes of Kanye West, Andreya Triana, Sharon Jones and the Dap Kings, Horace Andy, Janelle Monae, Aloe Blacc, Femi Kuti and the Positive Force, Neneh Cherry, Rodrigo y Gabriela, Robert Plant and the Band of Joy, Electric Wire Hustle and a host of others.

They say don’t believe the hype. BELIEVE this one. Her strong presence on stage is fluid, feminine, tough, confident, fun and timid at the same time. Her vocal delivery, witty lyrical content and overall musical production makes Ladi6 a force in the industry. I wish her all the best, cos she deserves it. It takes a different type of person with thick skin, focus and skill to stick it out in an industry that can kill the essence of one’s artistic integrity. I’d like to think hers is still safely intact.

It’s look like a promising future for both Electric Wire Hustle and Ladi6 as they continue to create a larger than life presence around the world. I’d love to be selfish and claim these two as our own, but really, New Zealand is grooming and holding down their own unique artists without the help of anyone else. It’s just in their blood. Definite highlight of the year so far.

Thanks to:
Sam Taouk of Soul of Sydney

Niche Productions

Ladi6

Electric Wire Hustle

Photos by:

tee eightch PHOTOGRAPHY

PUSHING BOUNDARIES: ELECTRIC WIRE HUSTLE (gig review at Tone Bar, Sydney)


So this review has taken a while to write due to personal issues I had to ride out… Alas…

That’s all we wanted. ONE. MORE. SONG. Just one more….

When one talks about ‘pushing boundaries’, this entails a level of thinking that differs from the average person, an execution of this thought pattern that challenges the existing modes of thinking, unlocking a part of one’s mind to the possibility that there is more to experience, more to learn, more to express and more to feel. Tone Bar experienced this level of exertion when Electric Wire Hustle stepped foot on stage for their debut album launch performance in Australia. It has been a while since I’ve wanted a live act to play one more song. It wasn’t just a plea of my own, but a collective  of EWH fans bellowing from sporadic parts of the dance floor, encouraging New Zealand’s next level artists to play just one more song. It didn’t happen, but what did happen that night showed Sydney fans that EWH have what it takes to take the music industry up another notch. Their unique form of sonic self expression is something unlike I’ve heard in the last 10 years, so to see them before my own eyes with adoring fans was indeed one of the highlights of 2010.

Wearing a brown leather jacket and a black hoodie underneath, lead singer MARA TK took to the stage armed with his unique soulful vocals, his electric and bass guitar,with a chilled attitude that the rest of the band seemed to naturally ooze. An attitude that set the right ‘tone’ for the rest of the night. They were just three unassuming musicians playing because they love it. Keyboardist David “TaayNinh” Wright played every note with a head nod that was contagious. Their set list comprised of most tracks from their album and a surprise performance cover of Curtis Mayfield’s ‘Move on Up’ with New Zealand’s Isaac Aesili on the trumpet, Rachel Fraser singing backing vocals, and Sydney sider Simon Kaye on the flugal horn. That in itself was a supreme highlight of the night, with each musician showcasing their skills on each instrument.

As much as I dislike focusing on one individual, particularly when the quality of performance on a whole was of high quality standards, special mention has to go to EWH’s drummer, classically jazzed trained Myele Manzanza. I’m not a drummer so excuse the lack of cohesive terminology, but Myele played off beat, on beat, triplets, grabs, with a solo moment showcasing his high skills – he teased the crowd. Myele played as you would expect a free jazz improv drummer to, with just the right quietness to allow the others members to shine. If it’s not the melody that captures my attention, it has to be the beat and Myele’s drumming moved me to do my infamous air drumming through-out the entire night.

Once again, thank you to Niche Productions for pushing the envelope, knowing what real music is and sharing it with us all. Log on to their website for new sohws in the new year! Next year will be a huge one for live music! HUGE!

If you get the chance to see Electric Wire Hustle live at some point in your life, do it! Many blogs on line have praised this New Zealand band including Okay Player having given this album 91 out of 100. I can’t stress enough how much this band will explode on to the international music scene. It’s better than Kanye West’s recent album. There. I said it.

Happy Christmas and don’t drink AND drive!

 

 

ELECTRIC WIRE HUSTLE ARE IN SYDNEY!!


I was introduced to ELECTRIC WIRE HUSTLE at the beginning of this year by a close mate of mine who had been the lead singer’s room mate back in Christchurch. I have been mesmerized by their sound ever since. How do you encapsulate in words EWH’s sound without sticky taping labels that don’t seem to have a firm hold on them? Their sound can be best described as psychedelic, off beat hip hop with soul as the epicenter of their muse, splash a bit of jazz and contemporary electronica, and you have a sound that cannot be contained. It needs to be heard. They seem to inherently resist labels not from their own doing, but it’s like a sin trying to pigeon hole this band. It’s just wrong! They don’t care to fit a mould, or to stick to a typical formulaic generic sound of beats and samples. It’s the finer details that seem to make more noise than the framework itself. They stand out because they take risks, they experiment with sounds, instrumentation, tempo, mood, and dive deep in the multi layers of musical freedom. Plus, they know to loiter in the moment, for us to wait it out and journey with them through the raw landscape of dreamy sounds. EWH take their time and sit with you.

Electric Wire Hustle hail from Wellington, New Zealand, a three piece band – Mara (vocals/bass/guitar), Taay Ninh (bass/keyboards/MPC) and Myele Manzanza (drums/percussion), signed to the label BBE and WONDERFUL NOISE (Jpn). 2007 saw the band unite for the first time playing shows around New Zealand with a large following that soon built momentum around their native land. Their strong stage presence and unique sound traveled across the seas affording them the privilege of support act for international artists the likes of UK’s soul singer Alice Russell, America’s left field hip hop outfit SA-RA Creative Partners, Japan’s DJ Krush and Grooveman Spot, Talib Kweli, Peanut Butterwolf, Jean Grae and DAM FUNK. Electric Wire Hustle have also had the remarkable privilege of collaborating with well respected musicians from Georgia Ann Muldrow, Declaime, Stacy Epps and Steve Spacek, with a special guest appearance by MARA TK’s father  - New Zealand’s blues luminary BILLY TK. Keep in mind they have still yet to take the world by storm. Not bad for three years of musical development!

Revered by Gilles Peterson, BBC’s Radio 1Xtra DJ Benj B, LA’s DJ JAMAD, NY’s Tyler Askew, it’s no wonder the well respected Revivalist blog has also taken to their sound with pure curiosity and open arms at the prestigious College Music Journal Festival (CMJ). Surrounding themselves with talented hip hop and jazz musicians in New York City for CMJ festival, EWH performed to an audience that were hard to impress due to the amount of new music the festival had hosted all day and night. EWH appeared on stage positively cementing their position amongst New York’s music hungry elitist crowd. They released this album in New Zealand at the tail end of 2009 through their own label Every Waking Hour, only to then get signed to BBE (worldwide) and Wonderful Noise (Japan). “Perception” was the first single to be released in New Zealand receiving critical acclaim world wide:

““Electric Wire Hustle are at the forefront of talented musicians dedicated to putting out superior music and it’s a damn shame that the airwaves aren’t flooded with what this album offers, because it would well be worth it.”
Soulculture.co.uk

“A great blend of forward thinking hip hop, jazz and soul.”

Waajeed (Platinum Pied Pipers, Bling47, Ubiquity)

Niche Productions have hit the nail on the head again touring EWH down to Melbourne and Sydney for their long awaited album launch of the same name ‘Electric Wire Hustle’! EWH are to hit Sydney tomorrow night at TONE, Surry Hills.  You’ll find collaborations from the above mentioned, plus an interesting scope into what the future of soul music is developing into. This album holds hands with time and simplicity, layering smooth vocal tones provided by Mara TK, allowing the energy to shape the mood without rushing into a middle eight, or bridge to capture one’s attention. It’s live instrumentation so you know you’ll be in for a real treat to genuine musicianship! To me, DAM FUNK and ELECTRIC WIRE HUSTLE are two major players in the music industry that will (f not already) take the underground world by storm through strength in simplicity and sound escapism. Get to know Electric Wire Hustle, they’re staying. They’re staying for good!

Tickets available through moshtix or at the door! YOU WILL NOT BE DISAPPOINTED!! DJ Huwston from 2ser’s SOUL GLOW will be DJing on the night! No doubt you’ll be hearing something new, perhaps a new Jay Electronica track in celebration of being signed to Rocnation! That’s another blog there…

LA @ ZANZIBAR GIG (Mara TK)

 

ALBUM TEASERS:

THEY DON’T WANT

 

PERCEPTION

 

PINBOARDBLOG.COM PRESENT “ELECTRIC WIRE HUSTLE” REHEARSAL – ‘Water’


 

EPK

 

 

THANKS TO:

Niche Productions

TONE

(16 WENTWORTH AVENUE, SURRY HILLS)

creative nz

ELECTRIC WIRE HUSTLE

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ELECTRIC WIRE HUSTLE PLAYING LIVE @ TONE WEDNESDAY 17/11/2010