MadLib… Mushrooms & Mixtapes @ Red Bull Music Video (Sao Paulo 2002)


MadLib..a brother from another planet!

I don’t get into interviews too much when an artist like Madlib is talking.. I cant help but listen..  This cat gets music alright & isn’t too scared to get creative with it either.

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ANZAC DAY AUS HIP HOP MIXTAPE: Shan Frenzie – Show & Prove (FEAT: Def Wish Cast, Simplex, Swarmy, Big Village, Mr Clean, Funkoars + More)


On Anzac day as  the country pays tribute to the Diggers who gave up so much for us this country during war times.. We pay our own musical tribute from a different kind of digger with this all Australian Hip Hop mix-tape from Sydney based DJ, Radio Host & Digger Mr Shan Frenzie.

Posting this on with the up most respect, Raise a glass & put this one up!

ANZAC SPIRIT : LEST WE FORGET !

Trem – Same Shit
Big Village – Be My Guest
Mr Clean – Hard Yakk
Chemical Imbalance – Hectic Son Of Hector
Bias B – Drop A Thought
Ron Rugged & Johnny Crates – Back On Track
The Statesmen feat Len One – Come On Now
Funkoars – Vamoose
Pegz feat Jimmy Nice, Mantra & Illy – What You In It For
Deadbeat Society – Shine
Mind Over Matter – So I Showed ‘Em
After Hours – Consume Or Perish
Tommy Illfigga – Game Face
Hunter & Mortar – When I’m Drunk
Binge Thinkers feat Swarmy – Sick
Drapht – Murder Murder
Plutonic & G Love – Vibin’ Survivin
Jim Blah feat Georgia Humphreys – Find Me
Simplex – I Have Nothing
Binge Thinkers – Get The Picture
Bias B – The Last Song
Dialectrix – What’s Important
Loose Change – Secrets
Thundamentals – Dimension 3
Funkoars feat Hilltop Hoods – Bodycount
Phrase – Just For You
Simplex feat Motion, Delta & Alerts – Opus Operandi
Dialectrix – One More Time
Spit Syndicate feat Joyride – Stumblin’
Skrptcha feat Bastian Bones – All In
Vents – Marked For Death
Swarmy – Verse Mercenary
Mantra feat Illy, Jeremedy, Muph, Uthboy & Solo – Dead Em’
D Opus & Roshambo feat Chanel Cole – Come Find Out
Reason – Window Of Time
Beats Working – Barstool
Chemical Imbalance – The Chase Theme
Def Wish Cast – Dun Proppa

GROOVE THERAPY has been broadcasting since 2002, every Friday lunchtime (12pm) on radio 2SER FM, Sydney Australia.
The show is presented and mixed by Shan Frenzie.

Soul, Funk, Hip Hop, R&B, Disco and party jams! Shan Frenzie grew up on a healthy diet of these sounds. He’s not some newschool DJ wannabe, flexing his beatport MP3′s and pumping his fists in the air. He’s got over 20 years of experience behind him, a record collection that will make any other DJ envious, and a concrete rep as one of Australia’s most trusted party rockers.

Frenzie has been around the block more than a few times, and seen a bunch of styles come and go over the years – many of them originally championed in the club by him. Taking inspiration from when DJ’s used to play for no less than 6 hours straight and transition between styles: Original Soul & Funk 45′s – Check. Deep House, Disco & Boogie – check. Hip Hop, R&B, Breaks & Beats – Check. Party joints and forgotten classics – Check!

Frenzie by nature? The name came from that mid eighties era when Australia adopted Hip Hop culture. Back when writing your names on trains, cutting it up on the turntables at neighbourhood jams, and laying down your latest production on a 4 track cassette recorder was the thing. He was catching wreck on the turntables long before earning your rep on facebook was the norm.

Since those days he has grown out of his namesake somewhat and done a number of significant things: Managed regular residencies at a number of Sydney’s most successful night clubs, Hosted 5 different radio shows up and down the east coast, written articles for many leading street press publications, and toured around Australia with some of the biggest events in the festival circuit. It’s never been just about playing other peoples music – Frenzie has the qualifications to teach many a young buck DJ a thing or two about being a genuine lover of the music.

But can he rock a party? Frenzie has been dropping memorable sets for years. Whether it be a one hour power mix or an all night marathon set behind the tuntables, Frenzie has plenty of experience reading the crowd and always drops an entertaining set – custom built from carefully considered quality jams and a dash of turntable trickery (Yeah, the man can most definitely mix a record!).

Shan Frenzie also hosts one of Sydney’s most beloved radio shows “Groove Therapy” – An hour and half long weekly mixtape of uninterrupted music gems from the “funkier” side of dance music history. It’s been broadcasting live on radio 2SER FM since 2002, and podcasting around the world for just as long – and as all his regular listeners know, stands testament to Shan Frenzie’s dedication to purveying great music to party down to.

LINKS

ANZAC : LEST WE FORGET ! Redgum – I Was Only 19 (ANZAC TRIBUTE)


From this set of reports about Anzac Day 2007 ...

From this set of reports about Anzac Day 2007 at the Brisbane Is Home blog. You are free to use this photo for any reasons, including commercial reasons, but you MUST credit http://www.brisbaneishome with a link if you use it on the Internet, or by printing the URL next to or on the photo if used away from the Internet. (Photo credit: Wikipedia)

Danny Tenaglia Retirement


Posted on April 21, 2012.

Seems apt that the recent retirement of techno/progressive DJ and producer Danny Tenaglia, has seen the photos of his rather unique and expensive loft from 2010 rise again online.

Included are images of over 20,000 vinyls, a 1 ton dub plate machine and many other quirky bits and pieces.

Also posted on the original Deep Absurdum are comments from Danny himself which are worth a chuckle or two.

As spoken by Danny Tenaglia:

“Welcome to the headquarters of DTour Inc., Be Yourself Int. and Stay Tuned Productions.  We have been here since 2001 & I am finally sharing my very private happy space with all of my friends, peers, mentors, colleagues, and fans as well.”

“This is my favorite shot as the lens captured 3 of the 4 stacks. I decided to paint them white and it gave an entirely new energy to the room. It’s all about energy! :-)

Although I do still have all six stacks from the original Shelter, Vinyl, Body & Soul system, I only have four on because 6 would BE way too much! :-0 I can almost hear the Perfect Thunder of The Bass just by looking at this photo! It truly sounds phenomenal. Imagine me preparing my sets here …. and how spoiled I must BE? :-/ ji ji”

“The Disco Ball went up Five Years after me being up here. It was a present to me from Kevin McHugh! The lights on top of the record shelves are now mounted into the ceiling. I sit in that chair under the ball facing the windows and I always wonder if this ball will one day fall right on my head and do me in for good ?? :-0 And what would the newspaper headlines say? LOL”

“records records records and about 20,000 records . . . . . . . . There will never BE enough time to listen to them all . . . .”

“Yes, an original Scully Lathe/Acetate/Dub Plate machine. It weighs almost 1000 pounds and it was nearly impossible to get it delivered up here because we have no elevator. Imagine 4 delivery men screaming their way up the stairs for almost 2 hours! 1 – 2 – 3 AHHHHhhHH!!!!! LOL

Did I forget to mention the fantastic Paradise Garage Neon Sign – designed by PONS! :-)

“This side rack has DJ mixers that I’ve collected since the 70′s including an original silver face 1975 Bozak. There is also a Power Mixer, Sound Workshop, Vestax, Rane, Pioneer 800, Pioneer 1000, a custom mixer designed by Marshak Audio which blends UREI & BOZAK all sitting in there like a Museum. THE MAIN MIXER ON SYSTEM OUTSIDE IS A UREI – Naturally! :)

Top left is the original Bozak! 1975! I was 14 years old! (( ouch ))”

“This record explosion is from a couple of years ago. This went on to become the Pro-Tools studio but ultimately became our main office where Bossman Kevin now sits with our chief assistant & dear friend: Alex Perez. All those records are up on IKEA Shelves in a closet.”

“This is my office (and our lounge) that is adjoined with Kevin & Alex’s office, and the other side is the big main boom boom room! And now you all know where all my coins went !!! I’z got good ta$te yo! LOL”

“This is Burchan’s Paradise! We give him water and feed him twice daily with 3 bathroom breaks only! :-xI call him THE BURPORT MASTER!! But we have other secret sources too! ;-x

I love these chairs. They are very JFK Biz Class lounge, Circa 1967! Behind the orange wall (to the right) is the recording studio.”

“This is where we made Futurism, Space Dance and loads of Edits & Mashups with lots more to come.

Some of my old school gear. So much of it is “plug ins” these days AND YES, That is the original Artwork from above the entrance of 6 Hubert Street. Awwww …. :-/”

“This Space Ship Custom DJ booth is now in storage! No one wants to buy it :-(LOL”

“The Legendary Roofus! LOL Roofus was named Roofus by Hitch-hiking to Vinyl on a few occasions on top of the H2 Hummer! Tourist would even stop to take pics! LOL”

CHICAGO HOUSE CLASSIC: Colonel Abrams – Trapped (1985)


Colonel Abrams moved with his family to New York City when he was ten years old due to his father (a construction worker) getting a job there. The family moved to the East Village in Manhattan on East 13 Street. From an early age, he began playing the guitar and piano. He was in several early bands, among them was Heavy Impact which he played both guitar and keyboards, Joe Webb (guitar), Lemar Washington (guitar), Marston Freeman (bass guitar), Ronald Simmons (drums), and Barbara Mills (saxophone). Later he formed Conservative Manor (mid-1970s), 94 East (the band featuring Prince on lead guitar), and the New Jersey band Surprise Package.

Hits in the mid-1980s including “Leave the Message Behind the Door” and “Music Is the Answer” established him as a solo artist, initially in Europe and later in the US.[2] In 1985 he signed to Steven Machat”s Label/Production company, AMI. Machat, who was working with the New Zealand producer Richard Burgess and hired him against conventional wisdom to produce Colonel Abrams for his company the album Colonel Abrams. Machat then talked MCA into signing the Colonel recordings to have them released throughout the world. AMI also at this time had Ready for the World and the New Edition/Bobby Brown with MCA. This collaboration with the British producer Richard James Burgess produced the hits “Trapped“, “I’m Not Gonna Let You” and urban contemporary ballad “Table for Two”.

“Trapped” reached the top five and went gold in the UK Singles Chart and topped the U.S. Hot Dance Music/Club Play chart in 1985,[3] followed by the Colonel Abrams album, which spent two weeks at number one the following year. It was estimated by the Phonographic Association that “Trapped” sold over 5 million copies worldwide by spring 1987. An electronic remix of “Trapped” was later released in 1995 by Boards of Canada under the pseudonym Hell Interface. A new version of “Trapped” (“Trapped 2006″) was released in the UK.

“I’m Not Gonna Let You” also spent a week at number one in the dance chart in 1986. The album peaked at number 75 on the U.S. Billboard 200 albums chart and number 13 on the U.S. Top R&B/Hip-Hop Albums chart. Abrams had a number of entries on the U.S. Hot Dance Club Play chart in the 1980s and 1990s, including four entries that hit number one. In 1987 he had his fourth number-one U.S. dance hit with “How Soon We Forget“, the same year that he released his second album, You and Me Equals Us.

On January 9, 2007, Colonel Abrams released the single “Just When You Thought.” It became the third single released on his own record label, Colonel Records, the others being “Heartbreaker” and “Let Us All Be Friends”. On April 2, 2007, Colonel also released a dance smash called “Never Be”. In 2007, Abrams released “Just Like Mathematics” and “True Stories”. . June 2008 saw the release of his single, “Only a Few”. The Colonel will be performing at the 80s Reunion in August 2011.